Sunday, August 5, 2018

Final Paper


Contract Courtesy:

Social media has added a lot to the business world. It allows for advertising to the masses over a wide variety of platforms. It has enabled an interactive medium for the communication between consumer and producer. It has blossomed into one of the primary forms of conducing business. Photography has changes tremendously over the past few years and primarily due to the advancements in social media. Online bookings, online sharing, online advertising. With these changes comes challenges as well. One of the most common challenges among photographers is artists rights contract violations, specifically when their clients further editing or altering photos delivered to them and then posting them on social media platforms. And with the growth of new (new to the photography world) social sharing apps, specifically Facebook and Instagram, copyright and contract violations are more of an issue than ever. We see issues like this arise all the time in the photography community. Understanding why this happens is important to fixing, or trying to fix, the issues at hand. With the development of apps that allow and encourage extensive editing to professionally done photos followed by the sharing to the masses conjures up the question and discussion of who really owns the photos, and the importance of photographers using and enforcing their contracts. The discussion of the basic laws and concepts to general rights of property will open up the conversation to clients about understanding the importance to such contracts. And equally as important is the photographers understanding of the minds of their audiences and the effects social media can have on business, clients, and contracts.

          A good friend of mine, also in the field of arts, said “I wouldn’t want to step on the work of the artist.” (Peschel). She explained it in different terms. It would be like taking someone’s song that they composed and changing one thing they didn’t like about it. It is now not the work of the artist, it is the work of that person. And if it sucks and your name is still attached to the work, well, then there goes the artists reputation. Similarly, when clients alter their photos after they are delivered by their photographer, the edits may not reflect the work of the photographer and deter future clients. Not only deter future clients, but its just plain rude to mess with an artists work. There is a lot of legality attached to doing work in this field. Along with the taxes, model and minor releases, insurance, and many other things, there is the very complex world of intellectual property law.

          Intellectual property, or IP, “refers to creations of the mind, such as inventions; literary and artistic works; designs; and symbols, names and images used in commerce.” (WIPO). IP is protected by law. IP not only helps small businesses reap financial benefits, but it largely helps to support the national and state economics. It also drives competition among businesses. In fact, because of the competition, the direct and indirect economic impacts account for over 40% of the U.S.’s economic growth. Because of this, it is important that we as citizens follow the law (obviously). So by altering an artist’s IP, whether that be musical works, an invention, or photographs, you are breaking the law. IP is, if you will, the fruits of mental labor. Many, if not all, organizations and companies have departments specifically designated to create these “fruits”. The IP doesn’t just include photographs, but a wide range of creations. Music, logos, inventions, photos, animations, poems, marketing material, watermarks, digital backgrounds, templates, novels, and many many more works of the result of creativity. And once these works are produced, they are the property of that company, organization, or individual that created the piece. The products aren’t required to be registered with the government for copyright, it is just kind of an unspoken, yet very serious rule. The purpose of these laws is to encourage people to keep creating new technologies and encourage economic growth.

There are also sub categories of IP laws. Copyright, Patent, and Trademark. Copyrights protect the expensive arts such as movies, books, and artworks by famous artists (think The Monalisa). This gives the owner of the work exclusive rights to reproduce, display, and sell their works and prevents others from doing this without permission. And again, they are not required to register. Copyright doesn’t protect ideas, though. So if someone “steals your idea” (this is rampant among the photography community, especially with local competition) copyright can only protect how the idea is portrayed. On the other hand, patents do protect ideas. They protect an invention from being created, sold, and used for a set period of time. This is where we get movie remakes! Once the patent is over, its free rein. This leads to the last of the three, trademarks. Trademarks protect the names and logos of products and companies. Think Apple or Disney. When companies have these things, it allows for consumers to distinguish between companies. Like the other types of IP, trademark is automatically assumed when a business begins. For things involving the photography business, it falls under the automatically assumed trademark and copyright IP laws. For photographic IP, if it specifically states it in a contract signed by both parties involved before delivery of the images, then you are not only breaking the law, you are violating contract. It is important to always follow the contract and always respect the wishes/rules of the photographer’s work. After all, you hired them because you liked their work and editing style. Even if it is not stated in their contract directly, clients still do not have the rights to the photos delivered and I think that people need to be educated about this. It is all about respect, keeping the business and that business’s work safe, and following the laws of IP.

          I have done a little bit of research over the years on this topic and it can still be quite confusing. The world of IP law is very complex, but the underlying principle remains the same over all media platforms. The rights to IP belong the one that has created the product and the “rules” are assumed and do not need registry with the government. Over the past several weeks I have narrowed down my research to just a few methods. These methods are simple, but I believe they have the biggest impact on gathering the information needed to make sense of it all. The methods I chose are not broad like articles online can be. As I found out, online articles are not very specific in research of this nature. One exception of this might be the online photographers blog, run by a lawyer, called The Law Tog. I have used an article of hers in my research as it directly relates to my topic. But other articles I have found focus on too broad of subjects. I used a few to get general ideas for the analysis in this essay.

          The final three methods consisted of concentration on those directly affected by photography and social media. I chose to speak with three photographers, two on a smaller, local scale, and one on a larger scale who works with surrounding areas and a wide variety of clients. This method focuses on the business aspect and can accurately show the effects that IP law and contract violations have on the creators. It also shows how social media has changed the way that photographers set up contracts and conduct their business including; contract wording and content, online bookings and marketing, IPS (in person sales), sneak peek posts, and the medium of delivered goods. 

I then chose to speak with those (the public) that have had their photos professionally done. I asked them a simple question and got their input and the results were not as surprising as I thought they would be. I kind of figured based on my audience what the answers would be. It is reassuring to know how the public views the topic, but also kind of discouraging (topic on self-perception). I will explain more on that topic in my final paper. This method of research is essential in the process because it offers the opinions of those not an expert in the field. It can help improve business for photographers as well as offer insight to how the public perceives their photographer and other artist’s works.

          I then reached out to several lawyers to try and get a professional opinion and an accurate representation/interpretation of the laws set in place for IP and contract violations. I respect the legal field and all that their careers entail, but I think some of them were being a little stingy on their answers. I eventually found a wonderful, highly successful lawyer to speak with about the topic. His name is Geoffrey Hall. He has been in the practice since 1988 conducting business in partnership with other lawyers and then forming his own private law practice in Blair, Nebraska. He now serves as a judge on the District Court in the 6th Judicial District. Because he does not currently practice as a lawyer, he was able to fully answer my questions in depth. I think it is important to get the legal side of the topic under my thumb before moving onto the private small businesses and the publics opinions. 

          So here lies the question. How do photographers keep their businesses safe and up to date in this new age of growing social sharing?  Why do people assume photo services and the product of such work is free? And the big question, why are clients violating contracts and putting themselves in potential legal danger?

          I want to begin by explaining how photography has impacted the world. This will give a clearer idea as to why it is so important. Photography is probably one of the most important technologies we have created, in my opinion anyway. Photography is a testament to what has happened in the past and present, capable of making people aware of the world in which we live. Whether it be for personal use, a business, newspaper, or for a larger purpose, like documenting for National Geographic, photography has been one of the primary resources in our lives for hundreds of years. Think about your textbooks. Since you have been in school, we have learned from books with photos. Remember going through them and finding the strangest looking person and whispering to your friend “that’s you…”. Or seeing photos from WWII for the first time? That’s some crazy stuff. It’s a source for education. Think about the magazines you read… do people still do that? FULL of photographs of celebrities and food and beautiful paradises. It’s a source for entertainment. Think about your family. This one really hits people in the feels. Can you even imagine a world without photography? How many times do you go back and look through old photos with your family? We all have that one album. Looking back at photos of those that have passed or reliving an amazing family vacation. Or think about those kids that have lost a parent or sibling. Those that are too little to remember. Maybe that’s you. Those photos are so very important to them. So, as we can begin to see, photography is a part of our everyday lives and is so important. It has a huge market and need in past societies and in society today. We need to protect this!

          It’s often hard to tell who truly appreciates photography with a deep, fiery passion. And those that see the need to protect such an art are those that choose to live everyday producing and creating and interpreting through the medium. They see the importance that it has to families, history, businesses, and so much more. I did some research by Facebook staking and having conversations with three photographers. One just starting out, one on the rise to local fame, and one well known around the great city of New Braunfels. One thing that I noticed is how truly passionate they are. All their posts on Facebook reflect their purpose. Why they do it, how it makes them feel, their excitement, their love for other people. A. Leigh Photography, a personal favorite of mine, shows true passion and hard work. She does so much for her community and does it with love. She is a newborn/baby/family photographer and it suits her well. No Limits Photography, senior/family/wedding photographer, shows her passion through sharing only her best works. She posts not as often, but it still shows her passions and her purpose. She is on the rise and people are loving her! Now a lesser known local photographer, owner of Free Spirit Photography, she is shy and doesn’t post very often at all. Despite all of the concerns of her clients, she still does her work with passion. She is a family/baby photographer and I think it suits her well.

          After these introductions to their individual businesses, you would think they were such complete opposites from one another. But, after I added them all in a group chat (*gasp* adding the local competition in a group chat???), I discovered that they weren’t all that different. They all go into the day with the same mindset. Capture and preserve memories for their clients. They each love their field of work and understand the importance that their work is doing to so many people. Once I got the conversation going, I asked them all seven simple questions.

1.   Do you have a contract?

2.   Do you feel the wording is fair for the clients understanding?

3.   How did you build your contract?

4.   On average, how many contract violators do you get?

5.   What is the most common contract violation?

6.   How do you handle the violation?

7.   Have you personally edited photos you’ve had professionally taken of you?

And soon they all discovered that they weren’t so different after all. They all enforce their mandatory contract and they all have very similar problems. The public assumes photos should be cheap, or better yet, free. And they all have had people violate contract.

          Here lies the debate on how should you handle it? They all stated that they all had written their own contract. They each developed them based on experience and what best suits their businesses. Through trial and error, they added things slowly to build the best version for the bettering and protecting of their business. They also added things to their contracts based off of what other photographers have had to deal with. The photography community is very helpful and wants others to succeed. There is a photographer for everyone’s style and they all care about protecting the others arts/business. Each photographer also stated that they feel their contract is easily understood by the layperson. That there is no room for misinterpretation and no room for loopholes. No Limits Photography stated that “for the most part [people understand the workding]. I get some questions on wording for some things, but I always further explain to make sure it is clear.” In the beginning, they were all very certain that the contract would protect their work and that people would follow and abide by their contracts. But, as with all businesses, they would soon find out this is not true. People will naturally find ways to get around the contracts they sign. They want to think that the photos are their property once they are delivered to them and that they can do as they please with them once they are in their possession.

Social media has greatly changed we way photographers must conduct their businesses. Clients see social media as a platform for self-expression and as a way to share their favorite photos with friends and family. Platforms such as Facebook and Instagram are just so enticing to people to edit photos. All the filters and text and stickers are too hard to resist. Even after a contract has been signed. Even after they hired their photographer because they liked their work. As photography businesses grow, the number of contract violators grew. More often than not, they find clients posting edited versions of their finalized work being posted to Facebook or Instagram. This phenomenon is one of the most common involving social media and photography. So, if contracts are signed and the rules are fully understood, then why do clients still post altered versions of their professionally done photos?

          Not surprisingly, most of the editing is done by the younger generations whose presence on social media is more prevalent than the older generations. I put up a Facebook poll and asked my friends list if they had ever edited photos of themselves that they had professionally done. The results came out to be 33% yes (they have edited) and 67% no (they have not edited). And of these results, those that said ‘yes’ were other photographers (a big shock to me) and those that seemed to be a little more insecure on the way they look in photographs (I know this because they are my own friends). Those that voted ‘no’ were other people in an art field and those that are not on social media a lot (the older generation). It seems to me that contracts were out of the question. Even if a contract was signed, people still experimented with the editing of the photos.

          I want to address an important topic that lingers in the minds of people all over everywhere. Self-image. When people post to social media, they are mostly concerned of what others will think of them. This goes back to my poll. Those that voted ‘yes’ changed their photos because of the way they thought they looked. A filter might make them look better to themselves. As a culture, I think we rely on social media editing tools to change us. Like when a client asks a photographer to make them look skinnier or take away those wrinkles or make my eyes more blue. We all have different things we don’t like, and hen given the tools to instantly change them, why shouldn’t they go for it?

 In an article written by four authors, it states that “There are a lot of cases when users prefer to share the photo without filtering it. A few the participants mentioned that the practice of applying takes times and effort and so they do not always want to put the effort into filtering their photos. These set of users only filter those photos that they think are worth the effort. Photos that have special people or subjects in them are among those.” (Bakhsh 6). With this in mind, I got very curious as to how many of my friends choose to filter their photos. Many of them, like the article stated, filtered photos of themselves, alone or with other people, and not of things or animals or places. It is crazy to have not noticed this, I am sure many of you have not noticed this, but as a society we all participate in this act. It is a matter of how will I look to others looking at me. Other photographers, I am sure, are very aware of this and have learned to adapt their editing methods and they have certainly, as I have discussed, changed how they have written contracts. Nevertheless, following contracts still has a lot of legality behind it.  

When I began thinking about all of the legality stuff behind contracts and IP laws, I really wanted to get a professional’s opinion. After speaking with photographer about their own contracts and their violators, they all seemed to not know how to handle any violators or how to deal with those that assume photos are free. The answer that they all gave? “I ignore it”. Or my personal favorite from No Limits Photography, “I just let them because I’m a wimp”. When I got in contact with a lawyer willing to speak with me, I asked four simple questions regarding business and contracts. These questions cover the basics of rights and ownership and what to do when a contract I violated.

1.   For a photography business, does it matter if your contract was written by a lawyer, or can the photographer/owner write it to be best fit for the business?

2.   What is the general rule of thumb regarding copyright for photographers?

3.   Who has the rights to the photos once delivered to a client? Must you state this is a contract?

4.   In regard to posting on social media, many photographers contracts state that the client cannot alter the photos in any way. If this happens when they post their photos, how should a photographer approach this? What can the outcome be if client does not abide by the contract?

Mr. Hall, a lawyer currently not in practice, informed me that a contract does not have to be written by a lawyer. The business owner has the freedom to write their own contract that best fits their business. However, it is recommended that each business get the opinion of a lawyer specializing in this. It helps to further protect the business. With this contract writing, it is the businesses responsibilities and decisions to enforce the contracts. When people are posting their photos online, it becomes another issue. “The general rule for a copyright of a photograph is that when you click the shutter the photographer owns the copyright on the photo created.” (Hall). Regardless if the contracts says so or not, the rights to the photo is the photographers. This leads to the question how is the violation to be handled? The first step should be to “warn the client in writing of the alleged violation. A common remedy is demand for the altered photo be removed from social media and to cease and desist from such further conduct. In order to enforce the contract a photographer may have to resort to filing a lawsuit against the client. This should be a last resort because litigation is often a costly endeavor.” (Hall). Although the “damages” of the lawsuit may be minimal, it still serves to protect the business.

Mikie Farias, a fellow photographer, said it best. “I have had clients [edit photos]. It does bother me but not enough to do anything about it. I would go about it in this way, if my photos and post processing then I would love credit or [to be] tagged in the post, if filters added and I don’t like it, then I wouldn’t want to be credited or tagged.” I believe this is an appropriate response to these violations. Warn the client to take it down of course, but if they refuse, and you do not have the means to file a lawsuit, why would you want your name attached to the altered photos?

A businesses reputation is what keeps people coming back for more and what encourages others to buy or use a business’s service. In the photography world, so much can be done to tarnish this reputation. Changing the way business is done has been very important these last couple of years with the rise in social media use. New forms of contracts are being made, the use of watermarks has risen, and the now more than ever photographers are doing IPS (in person sales) to minimize the number of digital photos put out into the world. Part of the change is how we as a society views the business and topic of photography. It has become so accessible that we seem to not think twice about it before we change things or how we speak to and respect the field. If we compare the “you get what you pay for” phrase to say, cars, then it can help to amplify the concept. You would definitely not get a Lamborghini for $5,000 or even for $10,000. Yet the public assumes that they should be getting their photos done for really cheap or for free. In  Facebook group I am a part of, many photographers get potential clients asking if they can just be models for portfolio building. The photographers just want to laugh in their faces! They have been professionals for 5, 10, 15, and 20+ years, their portfolios are plenty built. They ask for pricing and gasp at the number they are given. In a world where we seem to be getting a lot of things for “free”, I suppose people are expecting more and more to just be handed to them. I suppose people are always on the hunt for cheaper services and expecting the greatest quality, but we as a society need to remember that photography is a full-time job. You definitely wouldn’t choose the cheapest company to build your house.

Photography, for everyone living today, has been a part of everyday life. We see it everywhere we look and the uses and effects it has are limitless. As a culture, creativity and art should be something we would all wan to protect. Without the proper understanding of IP laws and respect towards the art, and without the understanding of the world the artists live in, there is a huge gap in the system. The layperson would not know or understand why these unspoken rules are important, so we should begin to be more open about the importance of the contracts we take the time to write. We need to be more open about the importance of the arts in general. I feel this is not a conversation that anyone really has until its too late and lawyers need to get involved. Social media has changed a lot of things about the world. It has changed the way businesses operate by opening up new ways of communication and interaction with their consumers. It has created a lot of concern for businesses as well. Copyright and “free” the biggest issue among photographers, but by educating and opening up the conversation about it can prevent the issues and protect the businesses before any issues arise.

Sunday, July 29, 2018

Literature Review


One of the most common artists rights contract violations among photographers is their clients further editing or altering of photos posted on social media platforms. And with the growth of new (new to the photography world) social sharing apps, specifically Facebook and Instagram, copyright and contract violations are more of an issue than ever. With this arises the topic and discussion of who really owns the photos, and the importance of photographers using and enforcing their contracts. Let me begin by explaining a little of the legality behind my topic.
            A good friend of mine, also in the field of arts, said “I wouldn’t want to step on the work of the artist.” (Peschel). She explained it in different terms. It would be like taking someone’s song that they composed and changing one thing they didn’t like about it. It is now not the work of the artist, it is the work of that person. And if it sucks and your name is still attached to the work, well, then there goes the artists reputation. Similarly, when clients alter their photos after they are delivered by their photographer, the edits may not reflect the work of the photographer and deter future clients. Not only deter future clients, but its just plain rude to mess with an artists work. There is a lot of legality attached to doing work in this field. Along with the taxes, model and minor releases, insurance, and many other things, there is the very complex world of intellectual property law.
            Intellectual property, or IP, “refers to creations of the mind, such as inventions; literary and artistic works; designs; and symbols, names and images used in commerce.” (WIPO). IP is protected by law. IP not only helps small businesses reap financial benefits, but it largely helps to support the national and state economics. It also drives competition among businesses. In fact, because of the competition the direct and indirect economic impacts account for over 40% of the U.S.’s economic growth. Because of this, it is important that we as citizens follow the law (obviously). So by altering an artist’s IP, whether that be musical works, an invention, or photographs, you are breaking the law. For photographic IP, if it specifically states it in a contract signed by both parties involved before delivery of the images, then you are not only breaking the law, you are violating contract. It is important to always follow the contract and always respect the wishes/rules of the photographer’s work. After all, you hired them because you liked their work and editing style. Even if it is not stated in their contract directly, clients still do not have the rights to the photos delivered and I think that people need to be educated about this. It is all about respect, keeping the business and that business’s work safe, and following the laws of IP.
            I have done a little bit of research over the years on this topic and it can still be quite confusing. The world of IP law is very complex, but the underlying principle remains the same over all media platforms. The rights to IP belong the one that has created the product. Over the past several weeks I have narrowed down my research to just a few methods. These methods are simple, but I believe they have the biggest impact on gathering the information needed to make sense of it all. The methods I chose are not broad like articles online can be. As I found out, online articles are not very specific in research of this nature. On exception of this might be the online photographers blog, run by a lawyer, called The Law Tog. I have used an article of hers in my research as it directly relates to my topic. But other articles I have found focus on too broad of subjects. I used a few to get general ideas, which you will see in my final paper.
            The final three methods consisted of concentration on those directly affected by photography and social media. I chose to speak with three photographer, two on a smaller, local scale, and one on a larger scale who works with surrounding areas and a wide variety of clients. This method focuses on the business aspect and can accurately show the effects that IP law and contract violations have on the creators. It also shows how social media has changed the way that photographers set up contracts and conduct their business including; contract wording and content, online bookings and marketing, IPS (in person sales), sneak peek posts, and the medium of delivered goods.  
I then chose to speak with those (the public) that have had their photos professionally done. I asked them a simple question and got their input and the results were not as surprising as I thought they would be. I kind of figured based on my audience what the answers would be. It is reassuring to know how the public views the topic, but also kind of discouraging (topic on self-perception). I will explain more on that topic in my final paper. This method of research is essential in the process because it offers the opinions of those not an expert in the field. It can help improve business for photographers as well as offer insight to how the public perceives their photographer and other artist’s works.
            I then reached out to several lawyers to try and get a professional opinion and an accurate representation/interpretation of the laws set in place for IP and contract violations. I respect the legal field and all that their careers entail, but I think some of them were being a little stingy on their answers. I eventually found a wonderful, highly successful lawyer to speak with about the topic. His name is Geoffrey Hall. He has been in the practice since 1988 conducting business in partnership with other lawyers and then forming his own private law practice in Blair, Nebraska. He now serves as a judge on the District Court in the 6th Judicial District. Because he does not currently practice as a lawyer, he was able to fully answer my questions in depth. I think it is important to get the legal side of the topic under my thumb before moving onto the private small businesses and the publics opinions.
            Overall, the methods are simple, but create accuracy for an important topic in today’s growing social media society. Growing social media platforms call for growing and changing how business is done. Contracts and laws to abide by these contracts play an essential role in protecting both parties involved. It keeps the business’s reputation safe for conducting future business, and keeps the clients safe in their understanding of the importance of such laws and contracts.

Tuesday, July 24, 2018

Sappy Quotes and Media Accounting


            When I was in those awkward in between years, I relied on quotes that I found on Pinterest to explain my feelings to the outside world. We all know those in between years were the worst on our mental wellbeing. I would use those quotes to find meaning in myself, to find meaning about the world, and I would just collect them because I liked them. I had a wall of quotes in the shape of a heart… pretty sappy and very typical, huh?  I think even still to this day a good inspirational quote can life me up, or help to explain a feeling I am having. And if we really take a step back, I think we can see where these quotes really came from.

            Quotes just don’t pop up out of nowhere. They are said by some very inspirational, influential people (whoever that may be to you).  These quotes were often written in the journals of people from centuries and generations ago. Take for example, Ralph Waldo Emerson. He kept journals full of his wisdom-filled thoughts about life after setting out on a “peopleless” journey to find himself. I am sure we have all heard the quote, “Do not go where the path may lead, go instead where there is no path and leave a trail.” (Emerson). Many of his infamous quotes were first recorded in his journal, which as we have learned, was the earliest form of social media. And now on this newer generations form of social media, all we have to do is google “Ralph Waldo Emerson quotes” and BOOM.  A whole universe of quotes pops up.

            Below are 20 screenshots from twitter after searching the hashtag “MondayMotivation”. 




















Among all of the paid promotions and typical celebrity workout posts, were some very heartfelt and meaningful #MondayMotivation. And as I stated before, I am a sucker for these kinds of things, so I went for it. These quotes amazing examples of the media traces we leave and all of the media accounting we do on a daily basis. From before the internet was even a thing, to posting these quotes on Twitter.

            When discussing The Qualified Self by Lee Humphreys, I found myself thinking about all of the journaling and scrapbooking I have done, and still do (I guess I’m old school!) and how I have seen myself grow and mature though those pages. Herein lies the idea of “media accounting”. This is the process of documenting our presence and explaining our presence and action through a media platform. Whether that be a diary, scrapbook, wall of quotes, a tweet, or an Instagram post. All of my written quotes and accounting of times and things and people and thoughts have all been documented. Maybe for one day to be read and published as some higher thinking, probably not… but nevertheless, I think all quotes we like, share, and post stem from this age-old idea. They are in a round about way, collections of our thoughts, just written out for us to have been discovered as #relatable or #butwhyisthisme. Humphreys also suggests that “… media accounting is an important way through which we come to understand processes and change- changes about ourselves and others.” (Humphreys 13). One day at a time we see the traces. A quote posted here a quote posted there, but when we take a step back we can see all the changes over a period of time we have made.

            These people posting these quotes with the hashtag MondayMotivation, are sharing themselves through the quote they have chosen, as well as hoping it will inspire others. This kind of media accounting can be seen all the way back to Emerson. He is sharing bits of his own weaknesses and strengths in the quotes he creates, and those reading them find them relatable, even in this generation. I think we all have a soft spot for a good motivational quote. Even those that are blunt and make us giggle a little… because cussing is bad and makes you sound unintelligent. Like Humphreys suggests, this kind of accounting encourages better behavior and mindset. It gets you thinking about yourself as you think about others. 

Tuesday, July 17, 2018

The Method


            My method for selecting data will be a little difficult to define. I am going to jump right in and say that in the arts there isn’t a definite answer. For the law/legal side, definitely. So, there will be two separate research methods I will have in place. At the end I will merge them both together to form one thought. I want to begin with the more legal side of things. There also lies the issue that photography laws and contracts and rights are going to be different from state to state. So it is not always that simple to go onto a government site and simply search for it. There will be some digging!

Here is a list of sources that I will be using to conduct the legality of contracts and copyrights and its content:


Connors and Brenke Law Services




I would like to focus on the legality of copyrights and the importance of contracting between client and photographer. I would like to get people informed about the importance of creating these documents and how they can help keep business safe. The first step in the process for this project is educating myself, as well as other, on the laws and information needed. I will go in and pull the information on what is legal, who has rights, and what forms are needed for this. I am also getting in contact with two different law services and am getting some legal advice on contract violations. I would also like to look at some actual cases on breaches of contracts through some law companies. I believe this could give me a good look into what all happens on that spectrum.

I will also be looking directly at examples of other photographers contracts and seeing the effectiveness for that specific business. Are their loopholes? Is the wording fair and understood by both parties?

For that, I will be in contact with:

Leigh Slaughter, owner of No Limits Photography

Michelle Valenzuela, owner of 1044 Photography

Brittany Wright, owner of Free Spirit Photography

 And maybe a few others from larger companies. I am still waiting for responses.

These ladies are wonderful photographers and I value their work. I will be asking to see their contracts (if they have one. Which they should!), asking about any stories they have about contract violators and how they dealt with them, and their experiences with laws and copyright issues.

            With all the information I will have gathered, comes the second half of the research. I will be asking those that have violated contracts, or even questioned contracts, and get their input. Is there a way we can further educate those that do not understand the importance of the contracts, or the importance of photography all together? Or maybe those that don’t value the art, there can be a way to get them to value the work their photographer did. I can ask people I know specifically, or I can ask people I am in a facebook group I am in. Everyine is generally honest on the page ( A Photogrpher’s Community). There will be a point when the research needs to stop and I will have all the information I need I am excited to see which direction this project goes!

With the resources I have gathered so far, I think that I should have a good basis to my project. Educate, question in in action from the photographers standpoint, and get in the minds of violators!

 

 

Monday, July 16, 2018

Research Post 1: The Five 'W's

            Hello all! My name is Lauren B. Riley. I am a junior at Texas Lutheran University majoring in Communication studies with a focus in journalism. With my degree I plan to work at a publishing company doing photojournalism or writing while my own photography business continues to blossom and grow. As part of a class I am currently enrolled in here at TLU, Social Media and Society, I am going to be doing a research project. Over the course of the next couple of weeks I will be posting my progress here on my blog. How exciting! Coming up with a topic for research was not hard. Obviously photography was going to be my number one interest. (Are y'all tired of me talking about photography yet?... sorry not sorry!). For my research project I would like to cover the topic of copyright/contract violations regarding posting photo content on social media. What is the pull of doing so for clients if they paid to have the photos done a certain way, especially if they love that photographers style. I think it will give me a great outlook and resource into my own business as well as get others to be more involved in the conversation.
            To conduct my research, I plan to ask other photographers that I know directly, their experiences with the matter. I know so often times we get upset and don’t know directly how to handle the situation. And for a lot of photographers out there, getting a lawyer to help create contracts is not so much an option. Let alone trying to keep up with violators. I may also talk with a lawyer to get some insight on what consequences are. I also plan to look up the real laws of copyright and photo content online. What counts as actual stolen content and what does not? I can also use the library resources on government policies. There also lies the issue of what constitutes as a legit business. Some people claim that they are legit without any licensing, such as LLC. or Sole Proprietorship.  
            I am hoping to get a lot of information from primary sources that are available to me through my city, school library, and fellow tog friends on my Facebook. This information will allow me to have a very clear look into the world of social media in regard to what is right and what is wrong. However, I do not expect to have a clear answer to the ethics of those that choose to violate such terms set by photography business. To each their own with reasons. I can only expect to take educated guesses by potentially speaking to violators (I have a few of my own!).
            This project should be fun and informative! I hope to get others really thinking about their decisions when posting photos online. I am concerned about running into the issue that each and every contract between client and photographer are going to vary, especially between businesses. After all, they are custom to fit each business. I am not sure how I could get this information other than asking to see contracts directly, which some togs wish to not share with others. I hope that others will find this project helpful and I hope to maybe keep some people out of trouble! Thank you for coming along this journey with me. It should be exciting!

Thursday, July 12, 2018

Reckoning: Understanding the World Around Us Through the Media Traces We Create


Reckoning is a fairly simple concept, with a complex worldly outlook. The media traces we create help us to understand ourselves, as well as the world around us. We can see the things we are finding worthy enough to post all in one place. This allows the opportunity for the world to make judgment on us, good or bad, and we find some kind of value in this. By posting these photos of ourselves, we see it from a different perspective, and experience it in a way we would not otherwise in the actual life event.

Reckoning allows us to scrutinize ourselves and others, which in return allows for a change in behavior. The posting of photos an examining of others photos is a form of self-discipline. Much like Humphreys suggests about families reading their children’s diaries. They wanted to encourage proper behavior and behavior changes. Personally, I write in a journal very frequently to work though personal issues and as an outlet for myself. Within the writings, I see the things about myself I need to change and I do so to value myself more, glorify God, and to keep my mental health in check. So, is there really a difference in writing in a journal and posting things about ourselves online? “The act of writing, and that is which written, becomes the reflection of both the self and society.” (Humphreys 92). This goes for the things we post. It creates a form of identity. It allows us to understand ourselves.

We must also take into consideration the censorship and interpretation of the thing we post, as well as the things we see being posted. Media Accounting is based on “evidence of actual events, activities, behaviors, or experiences.” (Humphreys 93) and as with all accounts of photography, it is subject to interpretation, both by the creator as well as the viewer. Much of what social media is today consists of the, “Look! I did a thing! Do you like this thing I did? Look how happy and awesome I am!”. It is the accounting of the event that made the event happen. I think we are all susceptible to this kind of thinking. I am guilty of this too. For the most part, I post on my media accounts as a place to collectively store the moments I deem to be most important, but every now and then, I just want to brag to the world and let it be known that I did a thing. But, as also stated by Humphreys, media accounting is also important from a historic standpoint. 
Family photos from my mothers side, dating back to the 1820s
Reckoning through media allows for an inside look at what the culture and society has looked like from time period to time period. Above is a look at some of my own family photos from the 1800s. (I guess big ears and big foreheads run in my family!) Much like old family photos and old diaries being put up in museums, it gives us look into the times gone by. What was the dress like? what did they do for fun? Who was in what family tree? Without all of this documentation, how would we know how we have progressed as a society and culture? In modern terms, we do this same thing.

We can learn professionally from this kind of reckoning. Looking at ourselves and others from a different perspective can improve the way we do things. Looking at Humphreys example with the GoPro, strapping this camera to our bodies allows us to account for the activity, as well as see the things we need to improve on for ourselves. It allows us to see the world in seemingly infinite ways. Ways to experience the world we might not otherwise experience. Like seeing vacation photos of a friend or celebrity. I would LOVE to go to Greece or to Morocco or to Ireland or to Italy, but the opportunity is not there, so I live the experience through someone else’s media accounting and of these selfies we see are an idea of self-surveillance.

Selfies as these should not be seen as self-absorbed documentation of oneself, but rather be seen as empowering. And these collections of selfies or collections of encounters with the world, known as aggregation, is also important in society. It is in these collections that we see the changes in a person or in society as a whole. I like to use a photographic series about living with depression. http://www.dailymail.co.uk/femail/article-3240571/Photographer-suffering-depression-captures-mental-illness-haunting-series-self-portraits-raise-awareness-disorder.html This photo series has always been a favorite of mine. We can see the self- documentation of the struggle, but we also are aware of his growth. On a less sad note, the example that Humphreys uses is the common over the years photo series. These photos create a picture of growth in a child and account for the life that has been lives. We can see the changes overtime that we may not have been fully aware of in the moment. For another example, take a look at your pets. Do you remember a time when they were still a little pup? The aggregation can document the changes we wouldn’t really take note of. 
The Aggregation of my puppy, Gracie Jane
            This leads to the next step in the reckoning process.

The aggregation process leads to reconciliation. Engaging with the media that is put out by ourselves and others, even if we do not know we are doing so. We often look back at old things that have been posted and this helps to support what we feel about ourselves and reinforce what we have been and do feel about the things we come across on social media. We see old things pop up on our timeline and often wonder if we have changed at all. Physical changes may be very prevalent, but what about mental maturity? It is a step into understanding your own personal growth. Much like reading back at my old journals, I can see tremendous growth! From an anger filled, severely depressed, atheist younger version of myself, to a recovering, growing, happier, God filled version. I can see that in my own media accounting as well. I have never posted such thoughts or photos I’ve taken as social media was not available to me, but I can still look back, recollect, and see my growth. I can see the growth of everyone around me as well. I can say a lot of major life events can definitely change more than one person. We can also see this through those #throwbackthursday and #flashbackfriday posts. We love to see change. We also love to be nosy and see other peoples change. All of these changes we see are just evidence of growth, change, and history of the culture we live in.